| Tuition......................................... | $1950 |
| Room & board.............................. | $2300 |
| Activities (dorm students) .......... | $100 |
| Optional NY bus trip.................... | $130 |
| Optional Video............................ | $50 |
| Optional DVD............................... | $60 |
Fees can be refunded only for exceptional circumstances and with a doctor’s letter. No refunds on deposits.
Payment Schedule:
Due March 15, 2008
| Tuition deposit: (non-refundable). |
$300 |
| Room & board deposit (non-refundable) |
$300 |
Due May 1, 2008
| Tuition, first installment | $800 |
| Room & board, first installment | $1000 |
Due June 1, 2008
| Remainder of tuition | $850 |
| Remainder of room & board | $1000 |
| Activities fee | $100 |
| Optional NY bus trip | $130 |
| Optional video | $50 |
| Optional DVD | $60 |
For information call:
Carol Bellis
Summer Intensive Coordinator
Tel. (609) 921-7758 ext. 14
Fax: (609) 921-3249
Or write:
ARB's Princeton Ballet School
301 N. Harrison St., Princeton, NJ 08540


Graham Lustig (Artistic Director of the American Repertory Ballet and ARB’s Princeton Ballet School) was born in London and received his dance training at the Royal Ballet School. After graduation, he danced and choreographed for the Dutch National Ballet in Amsterdam and the Sadler’s Wells Royal Ballet in London. Upon retiring as a performer, the Washington Ballet chose him as its Choreographer-in-Residence. In June of 1999, Mr. Lustig was named Artistic Director of the American Repertory Ballet and ARB’s Princeton Ballet School. Mr. Lustig has commissioned numerous new works for ARB including twelve pieces specially created for Dancing Through the Ceiling, a program that serves as a platform for women choreographers. He has set fifteen of his own works, including most recently Beauty and the Beast… a Gothic Romance, and Dialogues, created with a grant from the National Endowment for the Arts. In 2003, Mr. Lustig was invited to become a charter member of the Artists Council for Americans for the Arts in Washington, DC. He currently serves of the Board of Directors of the American Repertory Ballet, the Choo-San Goh and H. Robert McGee Foundation, and on the Advisory Boards of the Princeton Festival and the Terpsichore Theatre of Dance. He has served as panelist for the Mid-Atlantic Arts Foundation and twice for the National Endowment for the Arts. Upcoming commissions include new ballets for Louisville Ballet and American Repertory Ballet plus West Side Story that he will be directing and choreographing for Boheme Opera of New Jersey in April, 2008. |
| Mary Pat Robertson (Director of ARB’s Princeton Ballet School) A native of Tulsa, Oklahoma, she received her early training with June Runyon and danced with Tulsa Ballet Theatre. After graduation from Stanford University, Ms. Robertson performed and taught in New York, where she studied with Merce Cunningham, Douglas Wassell, and David Howard. She has taught ballet at Princeton University, New York University, and Mason Gross School of the Arts. Ms. Robertson was a founding director of Teamwork Dance, and has received a Choreographic Fellowship from the New Jersey State Council on the Arts. Choreographic projects include Carmina Burana for Princeton Pro Musica and Laud to the Nativity for VOICES. Robertson choreographed numerous operas for Opera Festival of New Jersey including The Merry Widow, The Magic Flute, La Traviata, Vanessa, The Marriage of Figaro, Postcard from Morocco, and Orfeo ed Euridice. She recently choreographed Romeo et Juliette for New Jersey Opera, and is looking forward to Merry Widow and La Traviata in summer of 2008. She has also been a consultant for the New York State Council on the Arts and NJPAC's Outreach Program. Ms. Robertson has been teaching at Princeton Ballet School since 1980, and became Director of the School in 1986. During these years she developed the syllabus with faculty input, inaugurated the Professional Training Program and PLUS programs, and oversaw the moves into the new Princeton and Cranbury facilities. In March, 2007, the United States Congress cited Ms. Robertson for her twenty years of leadership of Princeton Ballet School, and for its evolution into “one of the most acclaimed (dance schools) in the country. |
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Bat Abbit (ARB Ballet Master) began his professional career with the Nashville Ballet. He joined the North Carolina Dance Theatre, where as a soloist, he danced leading roles in works by Paul Taylor, David Parsons, Peter Pucci, and George Balanchine. He also performed works by Salvatore Aiello, most notably Fritz in The Nutcracker, and Miles in The Turn of the Screw. Upon joining American Repertory Ballet in 2000, he danced the role of Puck in A Midsummer Night’s Dream, Cadenza, Borderlines, Paramour, Urban Tangos, Autumn in Cinderella, and created roles in Silkscreens, as well as the roles of Fritz and the Nutcracker in Graham Lustig’s The Nutcracker. Mr. Abbit is a founding member of Terpsicorps Theatre of Dance in Asheville, North Carolina and has danced with them for three summers. |
| In 2003 Mr. Abbit joined the Artistic Staff of the American Repertory Ballet as a Rehearsal Assistant and became Ballet Master in 2004. Mr. Abbit has rehearsed the students of ARB’s Princeton Ballet School in Coppelia, The Sleeping Beauty, and Swan Lake as well as each year in Graham Lustig’s The Nutcracker. Mr. Abbit has contributed original choreography to the Summer Intensive for the past two years. | |
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Mary Barton (ballet) received her training at the Washington School of Ballet and participated in summer courses at SAB and Joffrey Ballet School. Her professional experience began at Washington Ballet, dancing soloist and principal roles with the company while still a student. At age 18, she joined the Oldenburg Staat Ballet as Principal Guest Artist. In 1981, she joined the Dayton Ballet where she performed many of the company’s leading roles. In 1986, Ms. Barton joined the Joffrey Ballet where she performed a variety of roles including the role of Clara in Robert Joffrey’s Nutcracker, a role he created on her. In 1993, Ms. Barton joined American Repertory Ballet. She has been a featured principal dancer performing leading roles in Balanchine’s Serenade and Rubies, and Emily in Philip Jerry’s Our Town. She has been featured in many works by Septime Webre, most notably Odette/Odile in Swan Lake and Juliet in his Romeo and Juliet. She has also helped stage Mr. Webre’s Romeo and Juliet on companies around the country. Ms. Barton continues to perform as a freelance guest artist. |
| She has been a member of the faculty for 12 years, and has also taught master classes and summer intensive courses around the country. She is listed in the “Who’s Who of American Teachers.” Ms. Barton is the Resident Choreographer for Rider Dances. Her recent choreography has been met with great praise, and has been presented by Rider, The Outlet, Teamwork Dance, as well as the annual school productions of ARB’s Princeton Ballet School. | |
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Carol Bellis (ballet) received her training on scholarship at the School of American Ballet, official school of the New York City Ballet. She danced with the Garden State Ballet and has taught for Garden State Ballet School, Gloria Govrin’s New Hope Ballet Academy, and the School of Performing Arts at Somerset Vo-Tech. |
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Sean Mahoney (guest teacher) has been a member of the Paul Taylor Dance Company since 2004. He is currently on tour in China, and has been enjoying many roles with the company, including the male lead in a recent dance of Taylor's, Spring Rounds. He was also acclaimed by Dance Magazine as one of the "25 to Watch" for the year 2007. Mr. Mahoney began his early training at Knecht's Dance Academy in Pennsylvania, then came to ARB's Princeton Ballet School at age 11. While here, he studied with Dermot Burke, Septime Webre, Philip Jerry and others as a member of our Professional Training Program (then known as Career Track). While still in high school, he was an apprentice to American Repertory Ballet. |
| After graduating high school, he was chosen to be one of the first members of the Taylor 2 (the second company of the Paul Taylor Dance Company) and toured Africa with that group. Subsequently, he performed with the David Parsons company for a few seasons, and also appeared with Radio City Music Hall in the Christmas Spectacular, and danced with Geoffrey Doig-Marx. He returned to ARB, dancing Romeo in Romeo and Juliet, among other roles. While a member of ARB, he met and married fellow company dancer Peggy Petteway. In 2002, he re-joined Taylor 2, and then moved into the main company in 2004. Mr. Mahoney has been a guest teacher of Taylor technique for the Summer Intensive for the past several years. | |
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Douglas Martin (ballet, ARBW Ballet Master) started his ballet training with Dimitri Romanoff at the San Jose Ballet School and continued as a scholarship student at American Ballet Theatre School under Pat Wilde, Ivan Nagy, John Prinz and Mme. Pereyaslavic. He joined the Joffrey II Dancers in 1982 and was promoted to the Joffrey Ballet in 1984. As a principal dancer in the Joffrey, Mr. Martin performed many of the company's renowned works and was involved in the creation of many new works. He has performed a diverse array of roles in ballets by Ashton, Arpino, Cranko, Balanchine, Joffrey, Taylor, Pendleton, Kudelka and many other great 20th century choreographers. He joined the Cleveland Ballet for the 1991-92 season, performing the Minister in Agnes DeMille's Fall River Legend and other major roles. In 1993, Mr. Martin joined the American Repertory Ballet. As a leading dancer and Ballet Master for ARB, |
| Mr. Martin helped create many new ballets and collaborated with Septime Webre on several major pas de deux and full length ballets. He was Oberon in Graham Lustig's A Midsummer Night's Dream. He continued to be a principal performer in the company until his retirement from performing in 2002. He has been an integral part of the teaching staff at ARB’s Princeton Ballet School since 1994. Mr. Martin also teaches ballet at Westminster Choir College. | |
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Geoffrey Doig-Marx (guest teacher) is the Artistic Director and Founder of "The Mantis Project" Dance Company, and Creator/Artistic Director of "The Elan Awards" (an annual showcase that honors a choreographer who has changed the face of dance and showcases the work of fourteen additional choreographers). Mr. Doig-Marx received a Certificate of Excellence in Cultural Achievement from C. Virginia Fields Manhattan Borough President office of The Mayor of New York City for his work with The Elan Awards. In 2005 along with then Co-Producer Dance Spirit Magazine, The Elan awards honored Susan Stroman with special guests The Original Cast of Contact. Past honorees of the award include Graciella Daniele, Jerry Mitchell, Ann Reinking, Rob Marshall and Lar Lubovitch. |
Currently, Mr.Doig-Marx is working with Tracie Stanfield and The Soho Agency on The 2009 Elan Awards. In the summer of 2008, along with Tricia Arenson, Geoffrey will be launching a New Annual Summer Dance Festival that will premier in Provincetown Mass. Geoffrey is also working with LA Composer Peter Michael von der Nahmer on a ballet based on story ideas from HP Lovecraft set to tour. This summer 2007, Geoffrey was a Creative Associate on Broadway Bares 17 at Roseland in NYC. (Assistant Choreographer to Director Denis Jones for Broadway Bares 2006 and Creator/Executive Producer Jerry Mitchell). In January 2007 he created a piece for The American Theatre Dance Workshop and Geoffrey's piece entitled Need (based on Punk Rocker Sid Vicious girlfriend Nancy Spungen) was selected by Michael Blevins to be presented at The Group Theatre Too festival in NYC (TBA). In December 2006 his piece 3 More 3's was performed at The Theresa Lang Theatre in NYC and on December 16th 2006 his farcical look at the Nutcracker One Tough Nut premiered in New Jersey at The Villa Victoria Theatre. Mr. Doig-Marx wrote a tell all book about his days as a Disney dancer entitled "Not Only Magic Floats".- currently being edited by The Soho Agency. |
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Kathleen Moore (Guest Artist) was born in Chicago, Illinois, but was raised in Huntsville, Alabama. She began dance lessons at a local ballet school and then studied dance seriously with Dame Sonia Arova during high school at the Alabama School of Fine Arts (ASFA). Kathleen also attended summer sessions in New York, at the School of American Ballet and the American Ballet Theatre School, before graduating from ASFA as a National Scholar in the Arts and moving to New York as a member of American Ballet Theatre's junior company, ABT II. (1980). Miss Moore joined American Ballet Theatre as a member of the corps de ballet in 1982, was appointed Soloist by Mikhail Baryshnikov in 1988, and Principal Dancer in 1991. Her roles with ABT were many, working in the classics as well as the dramatic and modern repertory. Her repertory includes Myrta in Giselle, Lescaut’s Mistress in Manon, Hagar in Pillar of Fire, The Cowgirl in Rodeo, a Stomper in In the Upper Room, and roles in works by Mark Morris, Paul Taylor, Jiri Kylian and Glen Tetley. |
Miss Moore created the role of The Girl in The Informer by Agnes de Mille, leading roles in Mark Morris’ Drink to Me Only With Thine Eyes and in Twyla Tharp’s How Near Heaven and Jump Start. She was a member of the premiere tour of the White Oak Dance Project under the direction of Mikhail Baryshnikov and Mark Morris in 1990 and has appeared in several dance documentaries and the Herbert Ross movie Dancers. In 1988 Miss Moore married Peter Tovar, in 1997 she gave birth to a son, Becket, and retired from dancing in the fall of 1998. She currently lives in Princeton and teaches periodically at ARB's Princeton Ballet School and is secretary for the Board of the Princeton Symphony Orchestra. |
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Kyra Nichols (Guest Artist) began her early training in Berkeley, California, with her mother, Sally Streets, a former member of New York City Ballet. By age 13, Ms. Nichols started spending her summers in New York at the School of American Ballet. She performed with Alan Howard’s San Francisco based Pacific Ballet before moving to New York full-time when she was 15 years old. She became an apprentice to NYCB in 1974 and quickly became a member of the corps de ballet. In 1979 she was promoted by George Balanchine to the rank of Principal Dancer. Her early years in the company were enlivened by the presence of George Balanchine and Jerome Robbins, both of whom were choreographing on the Company. Kyra Nichols danced numerous leading roles in the company repertory, ranging from pyrotechnic displays of bravura skill in ballets such as Tschaikovsky Piano Concerto Number 2 and Stars and Stripes to more lyrical and dramatic roles such those in Liebeslieder Walzer and Robert Schumann’s Davidsbundlertanze. |
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In addition to her work with George Balanchine and Jerome Robbins, Ms. Nichols has worked with an extensive list of choreographers including, William Forsythe, Susan Stroman, Christopher Wheeldon, Peter Martins, Jacques D’Amboise, Robert La Fosse and Robert Garland. During her career, Ms. Nichols has toured extensively. In 1981 she joined a small group led by Jerome Robbins that performed in mainland China as a part of a US Information Agency effort to bring American culture to the Chinese. Over the years Ms. Nichols has all over the world, including Great Britain, France, Denmark, Germany, Hungary, Israel and Italy. She has also appeared as a guest artist in various productions including Franco Zeffirelli’s La Traviata at the Metropolitan Opera in New York. By special invitation she performed in Cuba as a guest of Alicia Alonso. With New York City Ballet dancer Gen Horiuchi Ms. Nichols led a group of dancers for a three week series of performances in Tokyo. Of course, her touring included sites all over the United States, from High School gymnasium’s in Alabama to the Kennedy Center in Washington, D.C. Ms. Nichols has appeared on national television in Balanchine's Vienna Waltzes for the Lincoln Center Special "A New York City Ballet Tribute to George Balanchine," in Balanchine's Serenade for a "Dance in America" program, and also in Mr. Martins' Beethoven Romance for the "Dance in America" program, "Ballerinas, Dances by Peter Martins." Ms. Nichols also appeared in the 20th anniversary broadcast of the PBS series "Great Performances" in Mr. Martins' Not My Girl. Ms. Nichols danced the featured role of Dewdrop in the film version of George Balanchine's The Nutcracker™, produced by Elektra Entertainment/New Regency Enterprises, and released in November 1993 by Warner Brothers. In recent years Ms. Nichols has been teaching ballet, bringing her vast experience and knowledge to a new generation of dancers. She has taught at many schools including the School of American Ballet (New York), The Rock School (Philadelphia) Central Pennsylvania Youth Ballet (Carlisle, PA), The Jillana School (Summer program, Taos, NM), Mount Holyoke College (South Hadley, MA) and Boston Ballet (Boston). IN addition to her work with New York City Ballet, since 2000 Ms. Nichols has been teaching regularly at the Princeton Ballet School and conducting private lessons. Ms. Nichols lives in Princeton, New Jersey with her husband, David Gray, and their two sons. On the odd occasion when she experiences free time, Ms. Nichols enjoys cooking and gardening. |
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Peggy Petteway (ballet), a native of Orlando, Florida, began her training at the School of Performing Arts and continued through the apprentice program of Southern Ballet Theatre under the direction of Barbara Riggins. She is a magna cum laude graduate of Florida State University. Ms. Petteway has danced with Bay Ballet Theatre, Southern Ballet Theatre, North Carolina Dance Theate, Chautauqua Dance Company, and Pennsylvania Ballet. This is Ms. Petteway's ninth season with American Repertory Ballet and her seventh season teaching at ARB's Princeton Ballet School. |
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Maria Youskevitch (ballet, ARBW Ballet Master) is the daughter of legendary ballet star Igor Youskevitch, and was a soloist with American Ballet Theatre and Maryland Ballet, and ballerina with Youskevitch’s concert group, Ballet Romantique. She was company teacher, rehearsal assistant and senior faculty member at Hartford Ballet under the Artistic Direction of Kirk Peterson. She has been ballet mistress for BalletMet, Nevada Dance Theatre, and the New York International Ballet Competition. In addition, Ms. Youskevitch has taught at such prestigious schools as the David Howard Dance Center, Alvin Ailey American Dance Center, Virginia School of the Arts, The Houston Ballet's Ben Stevenson Academy, and The Jacqueline Kennedy Onassis School at American Ballet Theatre. |
| A celebrated teacher and coach for over 25 years, she was featured in the June 2002 issue of “Dance Teacher” magazine. Well versed in the classical ballet repertoire, she has mounted versions of Giselle, Coppélia, La Fille Mal Gardee, and her father’s one-act Romeo and Juliet. She has also staged Michel Fokine’s works Le Spectre de la Rose and Les Sylphides and the children’s roles in Kirk Peterson’s Nutcracker. | |