School Director |
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A native of Tulsa, Oklahoma, she received her early training with June Runyon and danced with Tulsa Ballet Theatre. After graduation from Stanford University, Ms. Robertson performed and taught in New York, where she studied with Merce Cunningham, Douglas Wassell, and David Howard. She has taught ballet at Princeton University, New York University, and Mason Gross School of the Arts.
Ms. Robertson was a founding director of Teamwork Dance, and has received a Choreographic Fellowship from the NJSCA. Robertson choreographed numerous operas for Opera Festival of New Jersey including The Merry Widow, The Magic Flute, La Traviata, The Marriage of Figaro, Postcard from Morocco, and Orfeo ed Euridice. For Opera New Jersey, she choreographed Roméo et Juliette in July of 2007, and will be working on La Traviata and The Merry Widow for July 2008.
She has also been a consultant for the New York State Council on the Arts and NJPAC’s Outreach Program. Ms. Robertson has been teaching at Princeton Ballet School since 1980, and became Director of the School in 1986. During these years she developed the syllabus with faculty input, inaugurated the Professional Training Program and PLUS programs, and oversaw the moves into the new Princeton and Cranbury studios. In March, 2007, the United States Congress cited Ms. Robertson for her twenty plus years of leadership of Princeton Ballet School, and for its evolution into “one of the most acclaimed (dance schools) in the country.” |
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| MARIA YOUSKEVITCH (ARB Workshop Ballet Mistress, Ballet) – the daughter of legendary
ballet star Igor Youskevitch, was a soloist with American Ballet Theatre and Maryland Ballet, and ballerina with Youskevitch’s concert group, Ballet Romantique. She was company teacher, rehearsal assistant and senior faculty member at Hartford Ballet under the Artistic Direction of Kirk Peterson. She has been ballet mistress for BalletMet, Nevada Dance Theatre, and coach for the New York International Ballet Competition. In addition, Ms. Youskevitch has taught at such prestigious schools as the David Howard Dance Center, Alvin Ailey American Dance Center, Virginia School of the Arts under the direction Petrus Bosman, The Houston Ballet's Ben Stevenson Academy, and The Jacqueline Kennedy Onassis School at American Ballet Theatre. A celebrated teacher and coach for over 30 years, she was featured in the June 2002 issue of “Dance Teacher” magazine. Well versed in the classical ballet repertoire, she has mounted versions of Giselle, Coppélia, La Fille Mal Gardee, and her father’s one-act Romeo and Juliet. She has also staged Michel Fokine’s Spectre de la Rose and Les Sylphides, and the children’s roles in Kirk Peterson’s Nutcracker. Ms. Youskevitch is also on faculty for ABT’s Young Dancer Summer Workshop in Manhattan. |
| DOUGLAS MARTIN (ARB Workshop Ballet Master, Music Director, Ballet) – started his ballet training with Dimitri Romanoff at the San Jose Ballet School and continued as a scholarship student at American Ballet Theatre School under Pat Wilde, Ivan Nagy, John Prinz and Mme. Pereyaslavic. He joined the Joffrey II Dancers in 1982 and was promoted to the Joffrey Ballet in 1984. As a principal dancer in the Joffrey, Mr. Martin performed many of the company's renowned works and was involved in the creation of many new works. He has performed a diverse array of roles in ballets by Ashton, Arpino, Cranko, Balanchine, Joffrey, Taylor, Pendleton, Kudelka and many other great 20th century choreographers. He joined the Cleveland Ballet for the 1991-92 season, performing the Minister in Agnes DeMille's Fall River Legend and other major roles. In 1993, Mr. Martin joined the American Repertory Ballet. As a leading dancer and Ballet Master for ARB, Mr. Martin helped create many new ballets and collaborated with Septime Webre on several major pas de deux and full length ballets. He was Oberon in Graham Lustig's A Midsummer Night's Dream. He continued to be a principal performer in the company until his retirement from performing in 2002. He has been an integral part of the teaching staff at ARB’s Princeton Ballet School since 1994. Mr. Martin also teaches ballet for Westminster Choir College. |
| CAROL BELLIS (Principal, Cranbury Studio, Ballet)
received her training on scholarship at the School of American Ballet, official school of
the New York City Ballet. She danced with the Garden State Ballet and has taught for Garden State Ballet School, Gloria Govrin’s New
Hope Ballet Academy, and the School of Performing Arts at Somerset Vo-Tech. She has been teaching here for 18 years, and is the principal
of the Cranbury studio and the Coordinator of ARB’s Princeton Ballet School summer programs. |
| LAURIE ABRAMSON (Ballet, Pilates) received her training at the Joffrey Ballet School and holds B.A. and M.A. degrees from New York University. She has also studied with Alfredo Corvino, David Howard and at The New Dance Group. In addition to her work at ARB’s Princeton Ballet School, Ms. Abramson teaches in the Program in Theatre and Dance at Princeton University and at Montclair State University. Additional teaching credits include Stuart Country Day School, Mason Gross School of the Arts (Rutgers University), Southern NJ Academy of the Performing Arts, Acrodanse Theatre Company and master classes at The American College Dance Festival. She has served as a dance evaluator for the NJ State Council on the Arts and helped construct and implement the exit exams for the performing arts schools throughout the state for the NJ Dept. of Education, Visual and Performing Arts. Choreographic projects include works for PB II (now known as ARB Workshop), Acrodanse Theatre Company and musical theatre work. She has been the recipient of an arts-in-education grant from the NJ State Council on the Arts. She has been teaching here since 1981. |
SHERRY ALBAN (Ballet) has taught at ARB’s Princeton Ballet School since 1973. She has choreographed several ballets for PBII (now known as ARB Workshop), and served for many years as Rehearsal Director for Act I of The Nutcracker. In 2004, Ms. Alban staged Audrée Estey’s Act 1 children’s dances for Nutcracker for Washington Ballet. Ms. Alban has been a recipient of a New Jersey State Council on the Arts Choreography Fellowship and has directed and choreographed numerous musicals for Plays in the Park of Edison, NJ; Rutgers Opera; and NJPAC. She also teaches ballet at Mason Gross School of the Arts, at Rutgers University. Ms. Alban’s ebullient choreography for children has been a part of nearly every school show produced in the past 25 years. |
| MARY BARTON (Ballet) received her training at the Washington School of Ballet and participated in summer courses at SAB and Joffrey Ballet School. Her professional experience began at Washington Ballet, dancing soloist and principal roles with the company while still a student. At age 18, she joined the Oldenburg Staat Ballet as Principal Guest Artist. In 1981, she joined the Dayton Ballet where she performed many of the company’s leading roles. In 1986, Ms. Barton joined the Joffrey Ballet where she performed a variety of roles including the role of Clara in Robert Joffrey’s Nutcracker, a role he created on her. In 1993, Ms. Barton joined American Repertory Ballet. She has been a featured principal dancer performing leading roles in Balanchine’s Serenade and Rubies, and Emily in Philip Jerry’s Our Town. She has been featured in many works by Septime Webre, most notably Odette/Odile in Swan Lake and Juliet in his Romeo and Juliet. She has also helped stage Mr. Webre’s Romeo and Juliet on companies around the country. Ms. Barton continues to perform as a freelance guest artist. She has been a member of the faculty for 12 years, and has also taught master classes and summer intensive courses around the country. She is listed in the “Who’s Who of American Teachers.” Ms. Barton is the Resident Choreographer for Rider Dances. Her recent choreography has been met with great praise, and has been presented by Rider, The Outlet, Teamwork Dance, as well as the annual school productions of ARB’s Princeton Ballet School. |
| CHRISTINE BRAGG (Tap) began dancing at a young age. She continued dancing, co-founding W&L Dance, which started as an extra-curricular group, and is now an official academic department, while studying French and Business Administration at Washington & Lee University in Lexington, Virginia. She is now the Director of W&L Dance Alumni. Christine has studied and taught a wide variety of dance forms in Maine, Virginia, and New Jersey. She has choreographed two musicals for Washington & Lee, numerous opera scenes for Opera at Rutgers, children’s scenes in Coppélia, Sleeping Beauty, and Don Quixote for ARB’s Princeton Ballet School, and pieces for Dance of Destiny: Mime, Myth and Modernism with Tala Shruti School of Dance. She is currently the Marketing Director for American Repertory Ballet and is in her fourth year of being on the faculty of ARB’s Princeton Ballet School. |
| JANELL BYRNE
(Ballet) a native of California, studied with Stanley Holden and Margaret Hills in Los Angeles. A graduate of the Juilliard School, where she studied with Alfredo Corvino, Ms. Byrne has taught at Mercer County Community College, Princeton University, The College of New Jersey, and the Lawrenceville School. She has performed with DanceWorks and Teamwork Dance and is Director of Mercer Dance Ensemble, and has been teaching here for over 20 years. |
KATE CASTRANOVA (Ballet) trained at ARB’s Princeton Ballet School through high school, participating in the Professional Training Program and the ARB Workshop. She was a trainee with Pittsburgh Ballet Theater for the 2003-04 season, dancing in Swan Lake, Giselle, and Serenade, among other works. She recently graduated from The College of New Jersey with a degree in Elementary Education and English. She has been teaching for us for the past three years. This fall, Kate will start her first year as a language arts teacher. |
| ALMA CONCEPCION (Spanish dance, Ballet) is a former soloist with the San Juan Ballet and Antonio's Ballet of Spain. After receiving her early training in Puerto Rico, she came to study in New York at the School of American Ballet and at American Ballet Theatre. Ms. Concepcion is the founder of Taller de Danza, a children’s movement and dance grassroots organization based in Trenton. She has been teachng here for over 20 years and has also taught at Ballet Hispanico in New York for many years. |
| ANGELA CUSUMANO (Hip Hop) started dancing at the age of five in Brooklyn, NY, and has studied at Broadway Dance Center, ARB’s Princeton Ballet School, Steps on Broadway, and Icon Dance Complex. Theater credits include: The King and I, Cabaret, Joseph and the Amazing Technicolor Dreamcoat, Sweet Charity, Crazy for You and West Side Story. She also performed for the "Who Da Funk" national and international club tour, seasonally for a number of years at Six Flags Great Adventure and for KTU's Beatstock. Ms. Cusumano was a member of the “alternative jazz” based company, Push Factor Dance Company in Astoria, NY, as well as the hip hop instructor of Push Factor’s National Convention, DanzJam. She is currently a member of ICON’s Hip Hop Pro Company, and teaches for ARB’s Princeton Ballet School, DANCE POWER and DANCE POWER II. |
PAMELA DAY (Ballet) completed her early training with Ruth Petrinovic’ at the Academy of Performing Arts in Ft. Lauderdale on full scholarship. During her professional career, she performed soloist roles with the Israel Ballet, the Connecticut Ballet, and Dancers (New York City). During her years as a professional dancer, she trained in New York City with Finis Jhung, David Howard, and Robert Denvers; in New Haven with Robert Vickrey, Rochelle Zide-Booth, and Bruce Wells; and in Paris with Yves Casati. Ms Day holds a BA from Albertus Magnus College, and an MA from George Washington University. Ms. Day has taught at the Academy for Performing Arts, The Connecticut Ballet, and at ARB’s Princeton Ballet School since 1997. |
GEOFFREY DOIG-MARX (Jazz/Theater Dance) is the Artistic Director and Founder of “The Mantis Project” Dance Company, and Creator/Artistic Director of “The Elan Awards” an annual showcase that presents the work of 14 choreographers and honors a choreographer who has paved the way. Past honorees of The Elan Awards include Graciella Daniele, Jerry Mitchell, Ann Reinking, Rob Marshall, Lar Lubovitch and Susan Stroman. Recently, he received a Certificate of Excellence in Cultural Achievement from C. Virginia Fields, Manhattan Borough President, office of the Mayor of New York City, for his work with The Elan Awards. He is currently a part of the dance faculty at Marymount Manhattan College, Dance Emotion, The Lawrenceville School and The Pulse. National and Regional credits include: Pippin, A Chorus Line, West Side Story, Jesus Christ Superstar, La Cage aux Folles and many others. Dance Spirit Magazine named him “one of ‘nine dancemakers making history” … 2001 cover story. www.themantisproject.org. |
| BRITTANY FRIDENSTINE (Ballet) was raised in Seattle, Washington, and trained in the Professional Development program at Pacific Northwest Ballet School. Brittany joined American Repertory Ballet in spring of 2007, after having danced with Pacific Northwest Ballet, Pittsburgh Ballet Theatre, Ballet Memphis, Minnesota Dance Theatre and James Sewell Ballet in Minneapolis, MN. Her training also included study at San Francisco Ballet School, Milwaukee Ballet and summer intensives with Suzanne Farrell, Paul Taylor, and Alonzo King. She has been teaching around the country for the past several years, and was director of Kids in Motion! - a dance class for children with special needs in Minneapolis. Ms. Fridenstine also teaches the gyrotonic expansion system of exercise. She is married to faculty member Matthew Keefe. |
| ANNE WOODSIDE GRIBBINS (Ballet) was trained at Princeton Ballet School and performed with The Princeton Ballet Company (now American Repertory Ballet) for six seasons. She appeared in The Nutcracker in many roles including Snow Queen and Dew Drop and as Desdemona in The Moor’s Pavane. She performed in works by Dermot Burke, Gerald Arpino, and Antony Tudor. Ms. Gribbins has been on the faculty of ARB’s Princeton Ballet School since 1991, and has choreographed for the Summer Intensive and for many school shows including Coppélia, Sleeping Beauty, and Swan Lake. Her dance Simple Gifts, created for ARB’s Princeton Ballet School students, was performed at Princeton Ballet School’s 50th Anniversary celebration in May, 2004. Ms. Gribbins was inducted into ARB’s Princeton Ballet School’s Wall of Fame in May, 2006. |
| NOUSHIN KANANI (Middle Eastern Dance) was born in Teheran, Iran, and studied dance with traditional teachers from her early years. She has been teaching to children and adults since moving to the United States. |
| MATTHEW KEEFE (Ballet) began dancing while a student at the University of New Mexico, training with the late Tim Wengerd of the Martha Graham Dance Company. He continued his training in Chicago and New York with Sam Watson, Larry Long, David Howard, Donald Byrd and Alonzo King among others. In his 19 years performing, he danced with the: Lynda Martha Dance Company, Lyric Opera of Chicago, Fort Wayne Ballet, Boston Ballet 2, Charleston Ballet Theater, Louisville Ballet, Ohio Ballet, the move, Ballet Met Columbus, Minnesota Opera and the James Sewell Ballet as well as numerous guest artist appearances. Matthew holds an MFA in Dance from the University of Iowa. As a choreographer and director, Matthew served as the Interim Artistic Director of Ballet Quad Cities for the 2006-07 season. He founded and produced “The Studio 2A Project – a performance of dance in the round” for three years in Minneapolis, MN. A choreographer of over 40 ballets, his work has won awards from Regional Dance America and was selected for the Ballet Builders Showcase in New York. In addition to teaching for Princeton Ballet School, Matthew is currently the Company Manager and Stage Manager for American Repertory Ballet and is an adjunct faculty member for the Mason Gross School of the Arts, Rutgers University. |
| HOLLY LINDAUER (Jazz, HipHop) has been teaching jazz and hiphop for the past three years. She is a recent graduate of Rider University, with a BA in Fine Arts and a major in dance. She was a member of the Rider University/Princeton Ballet School dance program. Since graduation from high school, Holly has been appearing in various shows and revues in Atlantic City. |
PEGGY PETTEWAY MAHONEY (Ballet) was born in Orlando, Florida. She began her training at the School of Performing Arts and continued through the apprentice program of Southern Ballet Theatre under the direction of Barbara Riggins. She is a magna cum laude graduate of Florida State University. Ms. Petteway has danced with Bay Ballet Theatre, Southern Ballet Theatre, North Carolina Dance Theatre, Chautauqua Dance Company, and Pennsylvania Ballet. She has danced principal roles in a wide range of classical and contemporary ballets. At American Repertory Ballet Ms. Petteway has appeared in Graham Lustig’s The Nutcracker, Paramour, Silkscreens, VISTA, Uncertain Steps, Borderlines, as a Stepsister in Graham Lustig’s Cinderella, Bianca in Lustig’s The Shrew, and Beauty in Beauty and the Beast. She has also danced in Monopoly, The Eyes That Gently Touch, Opposites Distract, Fandango Furiouso, Lambarena, and - a part between parts -. In 2001, Ms. Petteway married fellow ARB dancer Sean Patrick Mahoney. This is Ms. Petteway’s ninth season with American Repertory Ballet and her eighth season teaching at ARB’s Princeton Ballet School. |
| ERIKA MERO (Beginning Dance, Ballet) began her dance training at Princeton Ballet School. As a dancer in the Professional Training Program, she studied with Elisabeth Carrol, Septime Webre, Maria Youskevitch, Kyra Nichols, Kim Vaccaro, Mary Pat Robertson, Mary Barton and Douglas Martin. Ms. Mero was a member of Princeton Ballet II, our preprofessional company, which later was renamed ARB Workshop. As a dancer in ARB Workshop, she appeared in the premiere of Graham Lustig’s Standstill, and also danced the ballerina role of Swanhilda in Coppélia as a senior in high school. During these years, she also attended The Juilliard School’s summer program for two years. In 2006, Ms. Mero graduated Cum Laude with a BFA in Dance Performance from SUNY Purchase, where she studied with Ted Kivitt, Rosanna Seravalli, Betijane Sills, Kazuko Hirabayashi and Richard Cook. While at Purchase, Ms. Mero appeared in The Nutcracker, Balanchine’s Serenade, and as the soloist in Nijinska’s Les Noces. After graduation, Ms. Mero continued teaching at ARB’s Princeton Ballet School, where she had started in 2003. Recent performance work includes two seasons with Stuart Loungway’s Terra Firma Dance Theatre, and productions of Roméo et Juliette, Rigoletto, and The Merry Widow with Opera New Jersey. Ms. Mero will start work on her Master’s in Ballet Pedagogy this fall at New York University. |
| KATHLEEN MOORE (Ballet) began her serious ballet training with Dame Sonia Arova during high school at the Alabama School of Fine Arts (ASFA), She also attended summer intensives in New York, at the School of American Ballet and the American Ballet Theatre School, before graduating from ASFA as a National Scholar in the Arts and moving to NY to join ABT II in 1980. Invited by Mikhail Baryshnikov to join ABT as a member of the corps in 1982, Ms. Moore was appointed soloist in 1988 and Principal Dancer in 1991. Her repertory includes Myrta in Giselle, Lescaut’s Mistress in Manon, Hagar in Pillar of Fire, The Cowgirl in Rodeo, a Stomper in In the Upper Room,and roles in works by Mark Morris, Paul Taylor, Jiri Kylian, Glen Tetley, and Agnes de Mille. She was a member of the premiere tour of the White Oak Dance Project under the direction of Mikhail Baryshnikov and Mark Morris, and has appeared in several dance documentaries and the Herbert Ross movie Dancers. Ms. Moore is married to Peter Tovar and is the mother of Becket. Since fall of 2006, she has been Ballet Mistress for American Repertory Ballet. |
| KYRA NICHOLS (Guest Teacher, Ballet) began her early training in Berkeley, California, with her mother, Sally Streets, a former member of New York City Ballet. By age 13, Ms. Nichols started spending her summers in New York at School of American Ballet. She became an apprentice to NYCB in 1974, and quickly was moved into a corps position. By 1979, she had attained the rank of Principal Dancer. As such, she has danced all the great ballerina roles of the NYCB repertory, including Chaconne, Concerto Barocco, Liebeslieder Walzer, Afternoon of a Faun, Stars and Stripes, and numerous others. Critic Marilyn Hunt describes Ms. Nichols as a “ballerina full of freedom and speed and joy. She...irradiates everything she does with integrity, taste, and a fresh glow.” |
NORA ORPHANIDES (Ballet) trained at the American Ballet Center, official
school of the Joffrey Ballet in New York. She has also studied modern dance
at the Erick Hawkins Studio. She received a B.A. from Hunter College. After
moving to Princeton, Ms. Orphanides studied with Virginia Griffee at the
Princeton Ballet School. She choreographed numerous spring musicals for
Stuart Country Day School of the Sacred Heart. She is a biographee in
“Who’s Who in American Women,” “Who’s Who in American Education” and
“Who’s Who in Entertainment.” |
| ANTHONY RABARA (Pilates) danced professionally as a ballet and modern
dancer, touring in the States and abroad. He studied Pilates technique
with and was certified by Romana Kryzanowska, and has been teaching
Pilates technique in New York and New Jersey since 1982. |
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| JENNIFER SANTOS-KRAFT (Ballet) trained at Connecticut Ballet Theater School throughout her childhood and young adult years. She attended Boston Conservatory as a dance major and danced with José Mateo’s Ballet Theater of Boston. In June 2007, she received a degree from Rider University, where she performed with Rider Dances and Teamwork Dance. |
| KATIE SCIBIENSKI (Ballet) began her dance training at ARB’s Princeton Ballet School with Cheryl Whitney, Carol Bellis, and Sally Edwards. Upon moving to Michigan she trained at The Flint School of Performing Arts and spent a year at The Kirov Academy of Ballet in Washington, D.C. Katie graduated cum laude from Butler University’s Dance Program in Indiana where she received a B.A. in Dance Pedagogy. Katie danced with Portland Ballet Company, in Portland, Maine, before moving to NY in 2006. She is a member of the STEPS Repertory Ensemble and also dances with Contemporary Ballet Theatre, both New York companies. She has been teaching for ARB’s Princeton Ballet School since 2006. |
KATHLEEN SMITH (Beginning Dance, Ballet) a graduate of ARB’s Princeton Ballet School Professional Training Program, has also studied dance at the Joffrey Ballet School in New York City. Performance high points include the evil Carabosse in the school’s production of Sleeping Beauty in her graduation year, 2003, plus numerous performances with Susan Tenney and Dancers, a modern dance company. Ms. Smith has been teaching clogging for the past ten years with her group, The Century Cloggers. She also teaches DANCE POWER, an outreach program of American Repertory Ballet in collaboration with the New Brunswick Public School system. |
SUSAN TENNEY (Modern Dance, Ballet) has been produced off- Broadway, at the Limelight, Williamstown Theatre Festival, Jacob’s Pillow Touring Ensemble, Edinburgh International Theatre Festival, and Tanglewood. She was resident choreographer and movement coach at Williamstown Theater Festival for four years and has restaged the choreography for McCarter Theatre’s A Christmas Carol. She has performed as a soloist with Jean Erdman, Andrew deGroat and Dancers, Novantiqua, Muna Tseng, and Nat Horne Musical Theater. She is Artistic Director of Susan Tenney and Company. Ms. Tenney holds a B.F.A. from SUNY Purchase. She has taught here for over 20 years. |
DR. KIM CHANDLER VACCARO (Beginning Dance, Ballet, Modern Dance, World Dance Forms, Pilates) earned a B.A. in Choreography and Performance from University of California at Santa Barbara, an M.A. in Dance Education from UCLA, and a doctoral degree from Temple University. She wrote Jazz Dance Today, with Lorraine Kreigel, and was a contributing editor to the award-winning book Core Collections in Dance. Dr. Vaccaro is the director of the Rider University/Princeton Ballet School Dance Program and works extensively with the NJ Dept. of Education on curriculum projects related to dance and technology. Dr. Vaccaro’s lively dances for children have been a part of nearly all of the school shows in her many years of teaching for ARB’s Princeton Ballet School. She creates new dance works each year for Rider Dances, the annual mainstage dance event of the Princeton Ballet School/ Rider University dance program. |
CHERYL WHITNEY-MARCUARD (Ballet) received an M.S. in Ballet from Indiana University and a B.A. in English Literature and Music from St.Lawrence University. She was trained and performed professionally in the Baltimore/Washington, D.C. area. In addition to teaching for ARB’s Princeton Ballet School, she has been delighted to serve as a rehearsal director for the ARB productions of The Nutcracker. She is a teacher and national teacher trainer for Music Together LLC. Guest teaching credits include Brandywine Ballet, Peabody Conservatory, Ballet Royale Academy, and New Jersey Governor’s School. Her ballet/dance teaching in academic settings includes Howard University, Princeton University, Indiana University, The Lawrenceville School, Foxcroft School (where she instituted a program in dance), and Latin School of Chicago.
As Artistic Director of Reverence Dance Company her activities have included choreography and participation in liturgies in churches and cathedrals in New Jersey, Maryland, and New York City; presentation of workshops at Westminster Choir College; and collaborations with Princeton Pro Musica. Ms. Whitney-Marcuard has received grants from the New York and New Jersey State Councils on the Arts and is the 2008 recipient of the Audrée Estey Award for Excellence in Dance Education.
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NOTE: Many of the faculty members of
ARB's Princeton Ballet School maintain active professional
dance careers in addition to their teaching commitments.
The school supports this professional involvement and is very proud of its
teachers. When it is necessary for a teacher to miss class because of
performance or illness, every effort is made to replace this teacher with another
teacher from our staff or from our substitute roster.
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